|
Model
|
Description
|
1st Pot
|
2nd Pot
|
3rd Pot
|
1
|
Voodoo
Tone
|
Have
you ever asked the question: "why do I really need two tone pots
to control different pickups on a Strat?" I've wondered the same
thing myself which is I love this mod. Both tone controls function as
master tone controls. One tone pot is a standard tone control that cuts
highs. The other tone pot is a passive midrange control that enhances
mids from 5 to 10 for a thicker sound, and scoops mids from 5 to 0 for
a glassy almost acoustic like tone. Read
more about the passive midrange mod here. This is totally passive
and requires NO batteries and NO body routing at all.
|
Master
Volume
|
Master
Tone
|
Master
Midrange
|
2
|
Voodoo Tone Plus
|
Same as the Voodoo Tone wiring above only this comes with a trick
"neck-on" switch. The neck-on switch mounted on the tone control
has a push-pull pot which is used to engage the neck pickup at any time,
regardless of which position you have selected using the 5 way switch.
This allows you to get the two missing sounds from a strat namely neck/bridge
(think Tele like tone) and all three pickups on at the same time.
|
Master Volume
|
Master Tone on push-pull to engage "neck-on" switch
|
Master Midrange
|
3
|
Voodoo
Tone Monster
|
This
is our most popular Strat assembly and it is unique
to Rothstein Guitars. It is exactly the same as the Voodoo Tone
Plus (above) only this includes 3PDT (3 pole double throw) mini switch
to engage the bridge and middle pickups together in SERIES mode for a
louder sound with more bottom. Most people use DPDT (double pole double
throw) switches for series/parallel switching but the problem we have
found with this approach is that when the series link is active, several
positions of the 5 way switch produce no sound at all. Our solution is
to use the extra pole provided by the 3PDT switch to simply bypass the
5 way. Think of it as a kind of "blow" switch. You can read
more about this mod here. Note: This pickguard has an extra hole drilled
to accommodate the 3PDT switch.
|
Master
Volume
|
Master
Tone on a push-pull to engage"neck-on" switch
|
Master
Midrange
|
4
|
Fralin Blender
|
A blender pot replaces one of a Strat's tone controls, and allows you to combine the neck and bridge pickups together. Blenders are "no-load" pots modified to eliminate bleed-through when turned fully clockwise. When the blender pot is fully clockwise it is completely removed from the circuit and does not load the guitar's circuit in anyway shape or form. Turning the pot counter-clockwise will blend in either the neck or bridge pickup, whichever is not engaged by the 5-way switch. |
Master Volume
|
Master Tone |
Blender (to blend neck/bridge)
|
5
|
Fralin Blender plus
|
Very cool and unique to Rothstein Guitars!!! It is exactly the same as the Fralin Blender (above), only the tone control is replaced by one of our "Mid-Scoop/Tone Switches" mounted on a push-pull pot. When the switch is down this functions as a standard tone control. When the switch is up it scoops mid for a glassy, almost "acoustic" like quality. |
Master
Volume
|
Master Tone / Mid-scoop housed on a push-pull pot |
Blender (to blend neck/bridge)
|
6
|
Jimmie Vaughn
|
This is basically stock strat wiring but some feel this is a more
useful way of employing two tone controls. The first tone control affects
positions 4 and 5 of the selector switch only (neck and neck/mid) and
the second tone control affects positions 1 and 2 only (bridge and bridge/mid).
The only position without a tone control is position 3. This can be modified
using a super switch to assign the bridge pickup a totally separate tone
control from the other 4 positions (see the "slick willy" wiring
below.
|
Master Volume
|
Tone for positions 1 & 2 of the selector switch
|
Tone for positions 4 & 5 of the selector switch
|
7
|
Stock |
Basic 60's stock strat wiring where the first tone control affects positions 4 and 5 of the selector switch while the 2nd tone control affects positions 2,3 and 4. |
Master Volume
|
Tone for positions 4 and 5 |
Tone for positions 2, 3 and 4. |